Deathstroke (2014-) #9
The writing in this line has thus far been atrocious. There is a lot to be ashamed of. The dialogue is empty and cluttered. Slade comes off as more of a quirky asshole than a top-class assassin with a troubled past. The art and dialogue come together to ignore the 'show, don’t tell," rule. It is just bad, and I hope the writer can grow from this mess and find success in their future.